Le Boutique Bazaar marks 10 years as London’s cool kinky pop-up shop
DECEMBER COVER STORY: London’s alt/fetish pop-up Le Boutique Bazaar celebrates its official 10th Birthday on December 1. To celebrate this major milestone, we’ve brought our December cover story forward a few days. That way we can tell the story of LBB’s first decade – via revealing interviews with co-hosts Charlotte TG of Torture Garden and Alexandra Houston of Charmskool – while also providing a preview of the December event – including sellers list and details of the day’s promo giveaways. Words: Tony Mitchell.
Banner: Léa Mortelle wearing Kraken Counter Couture latex at October’s LBB, by Tony, who also shot this article’s galleries. Additional photos by Hyder Images and Gothic Image
Introduction by Tony Mitchell
Le Boutique Bazaar, London’s alt/fetish pop-up shopping event, made its debut in 2014 on September 13 at Shoreditch club venue McQueen.
On Sunday December 01 this year — a decade (and a bit) later — LBB will be officially celebrating its tenth birthday at For Your Eyes Only (FYEO), the City Road venue that became its established home after McQueen revamped itself out of that privilege in 2018.
A collaboration between Torture Garden’s managing director Charlotte TG and Wasted Chic’s Alexandra Houston, Le Boutique Bazaar was, from its inception, quite obviously different from any fetish market you might have been familiar with up to that point.
Its focus was firmly on the cooler, fashion-aware, design-led aspects of kink creativity, rather than on the more traditional fetish and BDSM products that were the mainstay of existing kink fairs and markets.
No one should really have expected anything less from an event Torture Garden was involved in — it was clearly going to be more cutting-edge than existing efforts, because that’s a requirement for any project TG embarks on.
But the reason Le Boutique Bazaar was able to fulfil that requirement so successfully was very much down to what both partners in this joint venture brought to the table.
While Charlotte TG in 2014 was already one of the fetish scene’s influential movers and shakers, Alexandra — as the lesser known of the pair, with no track record to match TG’s worldwide reputation for event-hosting —
would almost certainly be perceived, initially at least, as the junior partner.
However, it would also soon be clear that what she lacked in TG-style clout and international brand recognition, Ms Houston more than made up for in other ways.
Her skills have not only proven to be crucial to LBB’s evolution and longevity. They have also recently enabled her, while still enthusiastically co-hosting LBB, to launch the online platform Charmskool, a “cooler and kinkier version of Etsy” that provided us with our Fetishistas October 2024 Cover Story.
So my contribution to Le Boutique Bazaar’s birthday celebrations, in the run-up to its official tenth anniversary pop-up on December 01, is to bring you the inside story of this unique event, as told to me by the two very talented women in charge of it.
Their stories are complemented by details of the upcoming LBB, including a vendors’ list and galleries of pictures from the previous (October) LBB shot by me.
In my earlier Charmskool article, incidentally, I had sought to make it clear that Alexandra’s launch of her new online platform should not be taken as evidence of creative differences between her and Torture Garden.
Alexandra had explained that by the time Charmskool had become technically feasible, Charlotte had moved on to become managing director of Torture Garden and therefore “had her plate totally full” running all TG’s events.
So this, she assured me, was why Charmskool had been launched as a solo venture, rather than as an online extension of LBB hosted by both women. Now read on…
Interview with Charlotte and Alexandra
Charlotte begins her contribution to the story by confirming Alexandra’s explanation for Charmskool being a solo venture, saying: “Alex has done an incredible job with getting Charmskool up and running.
“In the early days of LBB we did look at expanding it to an e-commerce business together — it seemed like the natural progression. But when we really went into the reality of developing a new business like that, I could see that I’d been naïve thinking I could do it as a side project.
“It was clear that both financially and timewise, it was just too big an investment for me. It would be learning a new trade from scratch, and that’s definitely not something I could fit around my other work.
“It would need full-time commitment to reach its full potential, and events are still my passion, so it wasn’t the right fit for me.”
I ask Alexandra if she considers that her experience launching the vintage/artisan-focused Wasted Chic earlier in 2014 paved the way for the launch of Le Boutique Bazaar towards the end of the same year.
“Wasted Chic was an idea I had back in 2013 when I had been running private clothing swap parties in my house that eventually outgrew my home, and I was working as an executive assistant at Microsoft and was often very bored at work!
“At the time a lot of bricks-and-mortar stores were closing down, pop-ups were a fresh new concept, and platforms like Etsy were gaining popularity.
“But there was nowhere that brought cool independent brands and vintage sellers into one physical space. Instagram was in its infancy as well (and not the powerful thing it is now).
“So you had a lot of great brands sitting around on Etsy waiting to be discovered by customers, and a group pop-up was the perfect way to get them in front of people.
“The first Wasted Chic had 15 sellers and was an instant hit. Customers loved meeting the makers, and the makers loved meeting each other — running a small business can be lonely! The social element worked really well too — DJs, cocktails and a buzzy atmosphere.”
Houston quickly realised that the same pop-up concept could also be applied to fetish/alternative retailing.
“I’d gotten into the fetish scene properly in 2009 and was having a love affair with its creativity, so I knew right away that the format would be a good fit for kinky makers.
“London already had established fetish markets of course, but I wanted to create something that focused more on the creativity and fashion element of the scene, rather than taking a more ‘lifestyle’ angle.
“I contacted Charlotte at TG about it and was thrilled that she was interested in exploring the idea with me. I never could’ve done it without her, as I was new to the kink community. Her name and the TG brand gave LBB the credibility it needed to get off to a strong start.”
Charlotte adds: “I had been to a Wasted Chic event so was already aware of what Alex was doing when she got in touch wondering if there was a way we could collaborate on something.
“It was perfect timing, as I was looking for something to start under the TG umbrella that would be more mine to focus on, but tied-in with what we were already doing.
“Alex was very open to working out together how that new venture would look. Our different characters gelled well and were on
the same page from day one, so everything started happening quickly after that.”
I attended the first Le Boutique Bazaar at McQueen and I remember thinking how refreshing it was compared with existing ‘conventional’ fetish markets.
It was very clearly a genuine fetish-fashion crossover event, attractive both to fashionistas and fetishistas — something other markets didn’t aim for and mostly didn’t get.
“I think I’ve always been all about the fashion side of things,” says Alexandra. “I’ve loved avant garde fashion since I was a child — I had a subscription to Vogue magazine at age 10!
“Before I got into the kink scene I was really active in the house music scene and had a club night called Kidology, where I used to design really cool costumes for all our dancers. And when I returned briefly to the US in 2010, I was costume designer for the Pacha Superclub in NYC.
“I loved all the OTT fashion the dancers in Ibiza wore and was also very inspired by that. Also, when I went to my first TG in 2007, I was stunned. I remember thinking, ‘this is a whole world of fashion I know nothing about, and I want to know more’.
“I recall seeing a girl at the event I attended in Bagley’s wearing a full latex catsuit, a tiny saddle and a headdress made from a real skull and pheasant feathers. My tiny mind was blown.
“I knew I wanted to create somewhere for people to buy these type of things, and I hadn’t
really gotten that vibe from the London kink markets I had attended.”
So it wasn’t so much that that she was already aware that there were lots of artisan design businesses out there making kink-influenced clothes and accessories? Or that such people would just not have felt the traditional markets would work for them?
“Honestly I just followed my nose to create something in the image of what I wanted to exist. It wasn’t super-intentional, it was more a subconscious desire for this fantasy shopping place to exist!”
I tell Charlotte I wouldn’t have been surprised to hear that Torture Garden had already been thinking about hosting some kind of alternative retailing pop-up when Alexandra approached her with the LBB idea.
Charlotte then gently reminds me that TG had actually dabbled with an afternoon market/social event quite a few years earlier, with stalls and DJ etc, at The Purple Turtle in Camden. Although it wasn’t on the scale of LBB and was as much a social as it was a market.
“But showcasing fetish and avant garde fashion has always been a central part of TG,” Charlotte points out. “We’ve worked with so many incredible designers over the years, and have always encouraged partygoers to push boundaries with what they wear.
“So LBB was definitely something that made sense for us to do. But to associate it with TG, it would need to fit with the vibe you would expect from us.
“And on a practical level there was a limit to how much time I had. Juggling communicating with up to 50 vendors per event was something I was never going to fit in.
“So once Alex was wanting to partner, and that was something she would be taking care of and had experience of, it became an easy project to get excited about.”
READ MORE – GO TO PAGE 2 OF 3